COVERSLUT© is a PAY WHAT YOU CAN fashion and economic research project from Grace Ndiritu. The brand is available at De Appel, Amsterdam. The 1st edition of the collection was supported by Manoeuvre.

Grace Ndiritu is an international visual artist. At the age of 22 she was taught art in Amsterdam by Hollywood film director Steve McQueen. In 2009 her art had entered into the Metropolitan Museum of Art collection in New York, gaining a place in Phaidon's The 21st Century Art Book published in 2014. In 2014 she was named one of the ten most important and influential artists under 40 by Apollo Magazine.

In 2012 Ndiritu began creating a new body of works under the title Healing The Museum. It came out of a need to re-introduce non-rational methodologies such as shamanism to re-activate the 'sacredness' of art spaces. Ndiritu believes that most modern art institutions are out of sync with their audiences’ everyday experiences and the widespread socio-economical and political changes that have taken place globally in the recent decades, have further eroded the relationship between museums and their audiences. Museums are dying. Ndiritu sees shamanism as a way to re-activate the dying art space as a space for sharing, participation and ethics. From prehistoric to modern times the shaman was not only the group healer and facilitator of peace but also the creative; the artist.

Recent solo performances and screenings include Fundació Antoni Tàpies, Barcelona (2017), Laboratoires d'Aubervilliers, Paris (2016), Glasgow School of Art (2015), Galveston Artists Residency, Texas (2015), Museum Modern of Art, Warsaw (2014), Musee Chasse & Nature and Centre Pompidou, Paris (2013). Her most ambitious shamanic performance to date A Meal For My Ancestors: Healing The Museum included staff members of the U.N. NATO & EU parliament, activists, and refugees at Thalielab, Brussels (2018). In 2012, she took the decision to spend time only in the city when necessary, and to otherwise live in rural, alternative and often spiritual communities, while expanding her research into nomadic lifestyles and training in esoteric studies such as shamanism, which she began over 16 years ago. Her research into community life has so far resulted in the founding of The Ark: Center For Interdisciplinary Experimentation.

Her archive of over forty 'hand-crafted' videos; experimental photography; Post-Hippie Pop-Abstraction painting have been widely exhibited and her work is also housed in museum collections such as the Modern Art Museum, Warsaw and private collections such as the King Mohammed VI, Morocco and Walther Collection, New York and Germany. Furthermore, her experimental art writing and images have been published by The Paris Review, Le Journal Laboratoires d'Aubervilliers, Animal Shelter Journal Semiotext(e) MIT Press, Metropolis M art magazine and Oxford University Press.

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